Joyland

April 8, 2013
A haunted carnival funhouse gives a supernatural spin to events in Thriller Award–winner King’s period murder mystery with a heart. In the summer of 1973, 21-year-old college student Devin Jones takes a job at Joyland, a North Carolina amusement park. Almost immediately, a boardwalk fortune-teller warns that Devin has “a shadow” over him, and that his destiny is intertwined with that of terminally ill Mike Ross, a 10-year-old boy who has “the sight.” Shortly after Devin meets Mike, Mike makes a cryptic comment: “It’s not white.” This proves a vital clue when Devin begins investigating an unsolved murder committed four years before at the carnival’s Horror House, and quickly stumbles into more than he bargained for. King (The Colorado Kid) brings his usual finesse to this tale’s mystery elements, and makes Dev’s handling of them crucial to the novel’s bigger coming-of-age story, in which Dev adapts to the carny life and finds true romance. Agent: Chuck Verrill, Darhansoff & Verrill.

Starred review from November 15, 2013
Great. First we have to be afraid of clowns. Now it's the guy who runs the Ferris wheel. Yes, clowns are scary, and so are carnies--and if you didn't have this red light in your mind already, it's never a good idea to climb (or ride) to great heights during a lightning storm. King (Doctor Sleep, 2013, etc.) turns in a sturdy noir, with just a little of The Shining flickering at the edges, that's set not in the familiar confines of Maine (though his protagonist is from there) but down along the gloomy coastline of North Carolina, with places bearing such fitting names as Cape Fear and the Graveyard of the Atlantic. His heart newly broken, Devin (Dev, to pals) Jones has taken a summer job at a carnival called Joyland, run by an impossibly old man and haunted by more than a few ghosts. Dev takes a room with crusty Emmalina Shoplaw, "tall, fiftyish, flat-chested, and as pale as a frosted windowpane," who knows a few secrets. Hell, everyone except Dev knows a few secrets, though no one's quite put a finger on why so many young women have gone missing around Joyland. Leave it to Dev, an accidental detective, urged along by an eager Lois Lane--well, Erin Cook, anyway. As ever, King writes a lean sentence and a textured story, joining mystery to horror, always with an indignant sense of just how depraved people can be. The story is all the scarier, toward the end, not by the revelation of the bad guy but by his perfectly ordinary desires, even though Joyland is anything but an ordinary place. Even to the last page, though, the body count mounts. A satisfyingly warped yarn, kissing cousins of Blue Velvet. Readers may be inclined to stay off the Tilt-a-Whirl for a while after diving into these pages.

COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

May 1, 2013

Along with hair-raising plots and believable characters (whether innocent or demonic or somewhere in between), a strong sense of place is an essential quality of King's writing. In his second book for Hard Case Crime (after The Colorado Kid) the setting--an old-time amusement park on the North Carolina shore--easily earns its title billing. On a whim, Devon Jones, soon to be a University of New Hampshire senior, takes a summer job at the park and is quickly seduced by the carny atmosphere and the "we sell fun" motto. Soon he's speaking the lingo, operating the rides, and entertaining crowds of kids, troubled only by the waning interest of his college sweetheart, who's stayed behind in Boston. But as the weeks pass, Devon is pulled toward Joyland's darker side, finding more evidence that an unsolved murder victim's ghost still haunts the shadowy tunnels of the Horror House. VERDICT This one's a must for King fans and may also attract YA readers.--Nancy McNicol, Hamden P.L., CT

Copyright 2013 Library Journal, LLC Used with permission.

May 1, 2013
As with King's first release with Hard Case Crime (The Colorado Kid, 2005), this is an uncharacteristically svelte offering that feels born of a weekend whim but is nevertheless possessed with an undeniable offhand charm. In the summer of 1973, 21-year-old Devin stumbles into a job at a North Carolina amusement park called Joyland, where he operates rides, mops up vomit, and wears the fur (dressing up as park mascot Howie the Happy Hound to amuse the kiddies). Bittersweet interjections from an older Devin lend the story an aching nostalgia, and between the chummy carny-chatter (terms like gazoonies, fump, and donniker fly fast and furious) and meaningful first times (losing his virginity, a crushing breakup, etc.), a fantastical mystery gradually emerges. Devin befriends a dying 10-year-old whose psychic hunches help hunt down the murderer of the ghost girl who haunts the park's Horror House. Until the ghoulish climax, this reads like a heartfelt memoir and might be King's gentlest book, a canny channeling of the inner peace one can find within outer tumult. HIGH-DEMAND BACKSTORY: Small-press, paperback-only, yes, but King is still King.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)

July 29, 2013
Michael Kelly begins his rendition of King’s engaging short novel sounding pleasantly satisfied, if wistful, with just a twinge of regret—precisely the mood of Devin Jones, the book’s protagonist. Now in his 60s, Devin recalls the details of how he spent 1973, working as a “Happy Helper” at Joyland, a slightly seedy North Carolina amusement park where, several years before his arrival, a young girl was murdered on a ride called Horror House. Kelly follows King’s lead in fashioning a proper voice for each and every character, creating a delightfully unpretentious and winning listening experience. With this performance, it seems as if Kelly is himself responding to the advice given to new carnival employees by the sweetly paternal Joyland director, Bradley Easterbrook: “Remember,” the old man tells them, “you’re here to sell fun.” A Hard Case paperback.